Impara Kannada in modo naturale da Bengali con l'IA. Traduci il testo da Bengali a Kannada, ascolta la pronuncia, comprendi ogni parola e fai pratica di espressione orale. Gratuito, senza registrazione richiesta.
Learning Kannada (ā˛ā˛¨āŗā˛¨ā˛Ą) from Bengali is a bigger leap than a sister language would be, but a beautifully regular one â no gender agreement, no articles, and every word built by adding suffixes â and your doorway to one of India's oldest languages, with 2,000 years of literature. Both are written in Brahmic-derived scripts (Bengali and Kannada). The letters are new, but the reading logic is identical: consonants carry an inherent vowel, and vowel marks attached above, below, or beside change it. You will decode Kannada far faster than any learner from the Latin world. Word order will not fight you: both Bengali and Kannada put the verb at the end (subject-object-verb) and mark relations with postpositions after the noun â "in the house" is "house-in" in both. Your existing sentence instinct works almost unchanged. Bengali and Kannada come from different families (Indo-Aryan vs Dravidian), so the vocabulary is genuinely new â but the phonological habits you already own, like retroflex consonants and clear long vowels, transfer cleanly across the family boundary.
Both Bengali and Kannada place the verb at the end of a sentence (SOV). A neutral sentence translates across as "āĻāĻŽāĻŋ āĻŦāĻžāĻāĻ˛āĻž āĻļāĻŋāĻāĻāĻŋāĨ¤" â "ā˛¨ā˛žā˛¨āŗ ā˛ā˛¨āŗā˛¨ā˛Ą ā˛ā˛˛ā˛ŋā˛¯āŗā˛¤āŗā˛¤ā˛ŋā˛Ļāŗā˛Ļāŗā˛¨āŗ.", which is exactly where the word-order discipline lives. Both languages mark relations with postpositions after the noun, so "in the house" is built as "house-in" in Kannada too. Bengali keeps no grammatical gender; Kannada keeps gender only for people. Watch the noun, not the logic.
Drop the aspiration puff in Kannada: it distinguishes nothing and sounds harsh. Say p/t/k/g crisp like Kannada speakers do, unlearning the Bengali habit of kh/gh sounds.
Retroflex consonants (áš, á¸, áš) already exist in Bengali, so your tongue knows the position â only the exact sounds differ.
Long versus short vowels is meaningful in Kannada: ā˛ā˛Ą (kaá¸a) vs ā˛ā˛žā˛Ąāŗ (kÄá¸u, forest) change word meaning. Hold a double vowel about twice as long as a single one.
ā˛ŗ is a retroflex lateral (air around the tongue sides, tip curled) â train it in ā˛āŗā˛ŗāŗ (to hear) and ā˛šā˛ŗāŗā˛¯ (old).
āĻ¨āĻŽāĻ¸ā§āĻāĻžāĻ°
â ā˛¨ā˛Žā˛¸āŗā˛ā˛žā˛°
āĻāĻŽāĻŋ āĻāĻ˛ āĻāĻžāĻāĨ¤
â ā˛¨ā˛¨ā˛āŗ ā˛¨āŗā˛°āŗ ā˛Ŧāŗā˛āŗ.
āĻ§āĻ¨ā§āĻ¯āĻŦāĻžāĻĻāĨ¤
â ā˛§ā˛¨āŗā˛¯ā˛ĩā˛žā˛Ļā˛ā˛ŗāŗ.
āĻĻā§āĻāĻāĻŋāĻ¤āĨ¤
â ā˛āŗā˛ˇā˛Žā˛ŋā˛¸ā˛ŋ.
āĻāĻĒāĻ¨āĻŋ āĻā§āĻŽāĻ¨ āĻāĻā§āĻ¨?
â ā˛¨āŗā˛ĩāŗ ā˛šāŗā˛ā˛ŋā˛Ļāŗā˛Ļāŗā˛°ā˛ŋ?
āĻāĻŽāĻŋ āĻŦā§āĻāĻ¤ā§ āĻĒāĻžāĻ°āĻŋāĻ¨āĻŋāĨ¤
â ā˛¨ā˛¨ā˛āŗ ā˛ ā˛°āŗā˛Ĩā˛ĩā˛žā˛ā˛˛ā˛ŋā˛˛āŗā˛˛.
āĻāĻāĻž āĻāĻ¤?
â ā˛ā˛Ļāŗ ā˛ā˛ˇāŗā˛āŗ?
āĻāĻŽāĻŋ āĻŦāĻžāĻāĻ˛āĻž āĻļāĻŋāĻāĻāĻŋāĨ¤
â ā˛¨ā˛žā˛¨āŗ ā˛ā˛¨āŗā˛¨ā˛Ą ā˛ā˛˛ā˛ŋā˛¯āŗā˛¤āŗā˛¤ā˛ŋā˛Ļāŗā˛Ļāŗā˛¨āŗ.
āĻāĻĒāĻ¨āĻŋ āĻā§āĻĨāĻž āĻĨā§āĻā§ āĻāĻ¸ā§āĻā§āĻ¨?
â ā˛¨āŗā˛ĩāŗ ā˛ā˛˛āŗā˛˛ā˛ŋā˛ā˛Ļ ā˛Ŧā˛ā˛Ļā˛ŋā˛Ļāŗā˛Ļāŗā˛°ā˛ŋ?
āĻāĻāĻā§ āĻ§ā§āĻ°ā§ āĻŦāĻ˛āĻŦā§āĻ¨ āĻāĻŋ?
â ā˛Ļā˛¯ā˛ĩā˛ŋā˛āŗā˛āŗ ā˛¸āŗā˛ĩā˛˛āŗā˛Ē ā˛¨ā˛ŋā˛§ā˛žā˛¨ā˛ĩā˛žā˛ā˛ŋ ā˛šāŗā˛ŗā˛ŋ.
ā˛¨āŗā˛°āŗ
āĻāĻ˛
ā˛Žā˛¨āŗ
āĻŦāĻžāĻĄāĻŧāĻŋ
ā˛Žā˛¨āŗā˛ˇāŗā˛¯
āĻŽāĻžāĻ¨ā§āĻˇ
ā˛Žā˛šā˛ŋā˛ŗāŗ
āĻŽāĻšāĻŋāĻ˛āĻž
ā˛Žā˛āŗ
āĻļāĻŋāĻļā§
ā˛¤ā˛ŋā˛¨āŗā˛¨āŗ
āĻāĻžāĻāĻ¯āĻŧāĻž
ā˛āŗā˛Ąā˛ŋ
āĻĒāĻžāĻ¨ āĻāĻ°āĻž
ā˛šāŗā˛āŗ
āĻ¯āĻžāĻāĻ¯āĻŧāĻž
ā˛Ŧā˛°āŗ
āĻāĻ¸āĻž
ā˛Žā˛žā˛¤ā˛¨ā˛žā˛Ąāŗ
āĻŦāĻ˛āĻž
ā˛¨āŗā˛Ąāŗ
āĻĻā§āĻāĻž
ā˛ā˛ŗāŗā˛ŗāŗā˛¯
āĻāĻžāĻ˛ā§
ā˛āŗā˛āŗā˛
āĻāĻžāĻ°āĻžāĻĒ
ā˛Ļāŗā˛Ąāŗā˛Ą
āĻŦāĻĄāĻŧ
ā˛ā˛ŋā˛āŗā˛
āĻā§āĻ
ā˛ā˛ā˛Ļāŗ
āĻāĻ
ā˛¨ā˛žā˛ŗāŗ
āĻāĻāĻžāĻŽā§āĻāĻžāĻ˛
ā˛Ļā˛¯ā˛ĩā˛ŋā˛āŗā˛āŗ
āĻĻāĻ¯āĻŧāĻž āĻāĻ°ā§
ā˛Žāŗā˛āŗ
āĻā§āĻŦāĻŋāĻ˛
ā˛Ŧā˛žā˛ā˛ŋā˛˛āŗ
āĻĻāĻ°āĻāĻž
āĻŦāĻžāĻāĻ˛āĻž āĻāĻŦāĻ āĻāĻ¨ā§āĻ¨āĻĄāĻŧ āĻāĻāĻ¯āĻŧā§āĻ āĻā§āĻ°āĻŋāĻ¯āĻŧāĻžāĻāĻŋāĻā§ āĻļā§āĻˇā§ āĻāĻŦāĻ āĻŦāĻŋāĻļā§āĻˇā§āĻ¯ā§āĻ° āĻĒāĻ°ā§ āĻ¸āĻŽā§āĻĒāĻ°ā§āĻāĻ¯ā§āĻā§āĻ¤ āĻļāĻŦā§āĻĻāĻāĻŋ āĻ°āĻžāĻā§āĨ¤ āĻāĻĒāĻ¨āĻŋ āĻāĻĒāĻ¨āĻžāĻ° āĻŦāĻžāĻā§āĻ¯ āĻāĻ āĻ¨ā§āĻ° āĻ āĻā§āĻ¯āĻžāĻ¸āĻāĻŋ āĻ¸āĻ°āĻžāĻ¸āĻ°āĻŋ āĻā§āĻĄāĻŧā§ āĻŦāĻšāĻ¨ āĻāĻ°āĻ¤ā§ āĻĒāĻžāĻ°ā§āĻ¨ â āĻŽā§āĻ˛ āĻĒāĻ°āĻŋāĻŦāĻ°ā§āĻ¤āĻ¨āĻāĻŋ āĻšāĻ˛ āĻ¨āĻ¤ā§āĻ¨ āĻ¸āĻŽāĻžāĻĒā§āĻ¤āĻŋ āĻāĻŦāĻ āĻ¨āĻ¤ā§āĻ¨ āĻļāĻŦā§āĻĻāĨ¤
āĻāĻ¨ā§āĻ¨āĻĄāĻŧ āĻļā§āĻ§ā§āĻŽāĻžāĻ¤ā§āĻ° āĻĒā§āĻ°āĻžāĻā§āĻ¤āĻŋāĻ āĻ˛āĻŋāĻā§āĻ āĻŦā§āĻ¯āĻŦāĻšāĻžāĻ° āĻāĻ°ā§: āĻĒā§āĻ°ā§āĻˇ/āĻŽāĻšāĻŋāĻ˛āĻž āĻ¸āĻ°ā§āĻŦāĻ¨āĻžāĻŽ āĻāĻŦāĻ āĻŽāĻžāĻ¨ā§āĻˇā§āĻ° āĻāĻ¨ā§āĻ¯ āĻ¸āĻŽāĻžāĻĒā§āĻ¤āĻŋ, āĻāĻŦāĻ āĻ āĻ¨ā§āĻ¯ āĻ¸āĻŦāĻāĻŋāĻā§āĻ° āĻāĻ¨ā§āĻ¯ āĻāĻāĻāĻŋ āĻ¸āĻšāĻ āĻ¨āĻŋāĻ°āĻĒā§āĻā§āĻˇ āĻ°ā§āĻĒ â āĻŦāĻ¸ā§āĻ¤ā§, āĻĒā§āĻ°āĻžāĻŖā§ āĻāĻŦāĻ āĻ§āĻžāĻ°āĻŖāĻžāĨ¤ āĻā§āĻ¨ āĻ¨āĻŋāĻ°ā§āĻŦāĻŋāĻāĻžāĻ°ā§ āĻŦāĻŋāĻļā§āĻˇā§āĻ¯ āĻ˛āĻŋāĻā§āĻ āĻŽā§āĻāĻ¸ā§āĻ¤ āĻāĻ°āĻ¤ā§.
āĻāĻ¨ā§āĻ¨āĻĄāĻŧ āĻāĻ āĻžāĻ˛ā§ āĻā§āĻ¸ āĻāĻŦāĻ āĻā§āĻ°āĻŋāĻ¯āĻŧāĻž āĻĒā§āĻ°āĻ¤ā§āĻ¯āĻ¯āĻŧ āĻāĻāĻāĻŋ āĻļāĻŦā§āĻĻā§ āĻāĻ˛āĻžāĻĻāĻž āĻ¸āĻšāĻžāĻ¯āĻŧāĻ āĻļāĻŦā§āĻĻ āĻŦā§āĻ¯āĻŦāĻšāĻžāĻ° āĻāĻ°āĻžāĻ° āĻĒāĻ°āĻŋāĻŦāĻ°ā§āĻ¤ā§: ā˛Žā˛¨āŗ (house) + ā˛ā˛ā˛Ļ (from) = ā˛Žā˛¨āŗā˛¯ā˛ŋā˛ā˛Ļ, ā˛Žā˛žā˛Ąāŗ (do) + ā˛ā˛¤āŗā˛¤ā˛ŋā˛Ļāŗā˛Ļāŗā˛¨āŗ (am āĻāĻ°āĻāĻŋ) = ā˛Žā˛žā˛Ąāŗā˛¤āŗā˛¤ā˛ŋā˛Ļāŗā˛Ļāŗā˛¨āŗ. āĻ¤āĻžāĻĻā§āĻ° āĻ¸āĻŦāĻā§āĻ¯āĻŧā§ āĻ¸āĻžāĻ§āĻžāĻ°āĻŖ āĻĒā§āĻ°āĻ¤ā§āĻ¯āĻ¯āĻŧ āĻĻāĻŋāĻ¯āĻŧā§ āĻļāĻŋāĻāĻĄāĻŧ āĻļāĻŋāĻā§āĻ¨āĨ¤
āĻāĻ¨ā§āĻ¨āĻĄāĻŧ āĻ˛āĻŋāĻā§āĻ āĻ¸ā§āĻŦāĻžāĻāĻžāĻŦāĻŋāĻ: āĻĒā§āĻ°ā§āĻˇ/āĻŽāĻšāĻŋāĻ˛āĻž āĻļāĻŦā§āĻĻāĻā§āĻ˛āĻŋ he/she āĻā§āĻ°āĻŋāĻ¯āĻŧāĻž āĻ°ā§āĻĒ āĻ¨ā§āĻ¯āĻŧ; āĻ āĻ¨ā§āĻ¯ āĻ¸āĻŦāĻāĻŋāĻā§ (āĻŦāĻ¸ā§āĻ¤ā§, āĻĒā§āĻ°āĻžāĻŖā§, āĻ§āĻžāĻ°āĻŖāĻž) āĻāĻāĻ āĻāĻ°āĻāĻ°ā§ āĻŦā§āĻ¯āĻŦāĻšāĻžāĻ° āĻāĻ°ā§ "it" āĻĢāĻ°ā§āĻŽ āĻŽā§āĻāĻ¸ā§āĻĨ āĻāĻ°āĻžāĻ° āĻāĻ¨ā§āĻ¯ āĻā§āĻ¨ āĻ¨āĻŋāĻ°ā§āĻŦāĻŋāĻāĻžāĻ°ā§ āĻ˛āĻŋāĻā§āĻ āĻ¨ā§āĻāĨ¤
āĻĒā§āĻ°āĻ¯āĻŧā§āĻāĻ¨ āĻšāĻ¯āĻŧ "to me X is needed": ā˛¨ā˛¨ā˛āŗ ā˛¨āŗā˛°āŗ ā˛Ŧāŗā˛āŗ. āĻāĻāĻ āĻĒā§āĻ¯āĻžāĻāĻžāĻ°ā§āĻ¨ āĻā§āĻˇā§āĻ§āĻž āĻāĻŦāĻ āĻāĻā§āĻāĻžāĻā§ āĻāĻāĻžāĻ° āĻāĻ°ā§ â āĻĒā§āĻ°ā§āĻŖā§āĻ° āĻĒāĻ°āĻŋāĻŦāĻ°ā§āĻ¤ā§ āĻāĻāĻāĻŋ āĻ¸āĻšāĻ āĻĒā§āĻ°āĻ¤ā§āĻ¯āĻ¯āĻŧ "want" āĻā§āĻ°āĻŋāĻ¯āĻŧāĻž
āĻāĻŽāĻŋ āĻāĻ˛ āĻĒāĻžāĻ¨ āĻāĻ°āĻŋāĨ¤
â ā˛¨ā˛žā˛¨āŗ ā˛¨āŗā˛°āŗ ā˛āŗā˛Ąā˛ŋā˛¯āŗā˛¤āŗā˛¤āŗā˛¨āŗ.
āĻāĻŽāĻŋ āĻāĻ˛ āĻāĻžāĻāĨ¤
â ā˛¨ā˛¨ā˛āŗ ā˛¨āŗā˛°āŗ ā˛Ŧāŗā˛āŗ.
āĻāĻŽāĻŋ āĻŦāĻžāĻĄāĻŧāĻŋ āĻ¯āĻžāĻā§āĻāĻŋāĨ¤
â ā˛¨ā˛žā˛¨āŗ ā˛Žā˛¨āŗā˛āŗ ā˛šāŗā˛āŗā˛¤āŗā˛¤ā˛ŋā˛Ļāŗā˛Ļāŗā˛¨āŗ.
āĻāĻāĻž āĻāĻŽāĻžāĻ° āĻŦāĻāĨ¤
â ā˛ā˛Ļāŗ ā˛¨ā˛¨āŗā˛¨ ā˛Ēāŗā˛¸āŗā˛¤ā˛.
āĻāĻŽāĻŋ āĻŦāĻžāĻāĻ˛āĻž āĻļāĻŋāĻāĻāĻŋāĨ¤
â ā˛¨ā˛žā˛¨āŗ ā˛ā˛¨āŗā˛¨ā˛Ą ā˛ā˛˛ā˛ŋā˛¯āŗā˛¤āŗā˛¤ā˛ŋā˛Ļāŗā˛Ļāŗā˛¨āŗ.
āĻāĻĒāĻ¨āĻŋ āĻā§āĻĨāĻž āĻĨā§āĻā§ āĻāĻ¸ā§āĻā§āĻ¨?
â ā˛¨āŗā˛ĩāŗ ā˛ā˛˛āŗā˛˛ā˛ŋā˛ā˛Ļ ā˛Ŧā˛ā˛Ļā˛ŋā˛Ļāŗā˛Ļāŗā˛°ā˛ŋ?
ā˛¨ā˛¨ā˛āŗ ā˛¨āŗā˛°āŗ ā˛Ŧāŗā˛āŗ. (spoken as short vowels)
ā˛¨ā˛¨ā˛āŗ ā˛¨āŗā˛°āŗ ā˛Ŧāŗā˛āŗ. (long vowels held)
āĻ¸ā§āĻŦāĻ° āĻĻā§āĻ°ā§āĻā§āĻ¯ āĻāĻ¨ā§āĻ¨āĻĄāĻŧ (ā˛ā˛Ąāŗ āĻŦāĻ¨āĻžāĻŽ ā˛ā˛žā˛Ąāŗ) āĻ āĻ°ā§āĻĨ āĻĒāĻ°āĻŋāĻŦāĻ°ā§āĻ¤āĻ¨ āĻāĻ°ā§āĨ¤ -āŗ- ā˛¨āŗā˛°āŗ āĻāĻŦāĻ -ā˛ž- āĻ āĻ¨ā§āĻ¯ āĻāĻĨāĻžāĻ¯āĻŧ āĻ¸ā§āĻĒāĻˇā§āĻāĻāĻžāĻŦā§ āĻĻā§āĻ°ā§āĻ āĻāĻ°ā§āĻ¨āĨ¤
ā˛¨ā˛žā˛¨āŗ ā˛āŗā˛Ąā˛ŋā˛¯āŗā˛¤āŗā˛¤āŗā˛¨āŗ ā˛¨āŗā˛°āŗ.
ā˛¨ā˛žā˛¨āŗ ā˛¨āŗā˛°āŗ ā˛āŗā˛Ąā˛ŋā˛¯āŗā˛¤āŗā˛¤āŗā˛¨āŗ.
SOV â āĻŦāĻ¸ā§āĻ¤ā§ (ā˛¨āŗā˛°āŗ) āĻā§āĻ°āĻŋāĻ¯āĻŧāĻžāĻĒāĻĻā§āĻ° āĻāĻā§ āĻāĻ¸ā§ (ā˛āŗā˛Ąā˛ŋā˛¯āŗā˛¤āŗā˛¤āŗā˛¨āŗ)āĨ¤ āĻŦāĻ¸ā§āĻ¤ā§-āĻļā§āĻˇ āĻļāĻŦā§āĻĻā§āĻ° āĻā§āĻ°āĻŽ āĻāĻāĻāĻŋ āĻāĻ¨ā§āĻĻā§-āĻāĻ°ā§āĻ¯/āĻāĻāĻ°ā§āĻāĻŋ āĻ āĻā§āĻ¯āĻžāĻ¸āĨ¤
ā˛Žā˛šā˛ŋā˛ŗāŗ ā˛Ŧā˛ā˛Ļā˛¨āŗ.
ā˛Žā˛šā˛ŋā˛ŗāŗ ā˛Ŧā˛ā˛Ļā˛°āŗ.
āĻā§āĻ°āĻŋāĻ¯āĻŧāĻžāĻĒāĻĻā§āĻ° āĻĢāĻ°ā§āĻŽ āĻ āĻŦāĻļā§āĻ¯āĻ āĻŦā§āĻ¯āĻā§āĻ¤āĻŋāĻ° āĻ¸āĻžāĻĨā§ āĻŽā§āĻ˛ā§: āĻ¨āĻžāĻ°ā§ āĻāĻŦāĻ āĻ¸āĻŽā§āĻŽāĻžāĻ¨āĻŋāĻ¤ āĻŦā§āĻ¯āĻā§āĻ¤āĻŋāĻ°āĻž āĻ¸āĻŽā§āĻŽāĻžāĻ¨āĻāĻ¨āĻ -āĻ āĻ°ā§ āĻĒā§āĻ°āĻ¤ā§āĻ¯āĻ¯āĻŧāĻāĻŋ āĻā§āĻ°āĻšāĻŖ āĻāĻ°ā§, āĻ¨āĻŋāĻ°āĻĒā§āĻā§āĻˇ āĻĒā§āĻ°ā§āĻˇ -āĻāĻ¨ā§ āĻ¨āĻ¯āĻŧāĨ¤
Translate into Kannada
āĻāĻŽāĻŋ āĻāĻ˛ āĻĒāĻžāĻ¨ āĻāĻ°āĻŋāĨ¤
Suggested: ā˛¨ā˛žā˛¨āŗ ā˛¨āŗā˛°āŗ ā˛āŗā˛Ąā˛ŋā˛¯āŗā˛¤āŗā˛¤āŗā˛¨āŗ.
Translate into Kannada
āĻāĻŽāĻŋ āĻāĻ˛ āĻāĻžāĻāĨ¤
Suggested: ā˛¨ā˛¨ā˛āŗ ā˛¨āŗā˛°āŗ ā˛Ŧāŗā˛āŗ.
Translate into Kannada
āĻāĻŽāĻŋ āĻŦāĻžāĻāĻ˛āĻž āĻļāĻŋāĻāĻāĻŋāĨ¤
Suggested: ā˛¨ā˛žā˛¨āŗ ā˛ā˛¨āŗā˛¨ā˛Ą ā˛ā˛˛ā˛ŋā˛¯āŗā˛¤āŗā˛¤ā˛ŋā˛Ļāŗā˛Ļāŗā˛¨āŗ.
Say these words in Kannada
āĻāĻ˛, āĻŽāĻžāĻ¨ā§āĻˇ, āĻŽāĻšāĻŋāĻ˛āĻž (in Bengali)
Suggested: ā˛¨āŗā˛°āŗ, ā˛Žā˛¨āŗā˛ˇāŗā˛¯, ā˛Žā˛šā˛ŋā˛ŗāŗ
Ask the question in Kannada
āĻāĻĒāĻ¨āĻŋ āĻā§āĻĨāĻž āĻĨā§āĻā§ āĻāĻ¸ā§āĻā§āĻ¨?
Suggested: ā˛¨āŗā˛ĩāŗ ā˛ā˛˛āŗā˛˛ā˛ŋā˛ā˛Ļ ā˛Ŧā˛ā˛Ļā˛ŋā˛Ļāŗā˛Ļāŗā˛°ā˛ŋ?
If you already speak Hindi/Bengali etc., the sounds (retroflex, no aspiration) will partly transfer, but the vocabulary and suffix-heavy grammar are genuinely Dravidian and new. English and Dravidian speakers alike find the "no gender" simplicity a relief after Indo-Aryan's two-gender systems.
Yes, and it rewards you: it is perfectly phonetic and shares the vowel-mark logic of all Brahmic scripts. If you read any Devanagari-family script the shapes are different but the system is the same â some letters even look similar (ā˛ to ā¤, ā˛¸ to ā¤¸).
Agglutination: Kannada prefers piling suffixes onto the root (ā˛Ŧā˛ā˛Ļāŗ + ā˛ĩāŗā˛Ļāŗ + ā˛ā˛˛āŗā˛˛ = "has not come yet") where English uses separate words. Learn to hear the root inside the long word â you will recognize it from the verb lists in this tool.
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